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Affinity Designer Help - Using the Affinity Software Suite
No bloat, жмите gimmicks, just all the tools you need, implemented how you always dreamed. Affinity Designer is a stripped back, pro-end workhorse that will always get your job done. Affinity Designer was created to thrive on the electric pace of the latest computing hardware. The engine behind Affinity Designer is built to handle huge documents so you can be confident in adding all those tiny details without any compromise to performance.
Switch between full featured vector and raster workspaces with a single click. Thousands of designers around the world told us how they need their graphic design app to behave. We put that knowledge at the core of Affinity Designer. Saveable history with alternate futures. The UI has been created to give you the best user experience possible so you can spend more time creating.
Timesaving tools such as Select Same and Select Object allow you to efficiently match attributes or select all objects of a certain type for easy editing, while studio presets for the UI layout allow you to save your favourite workspace setups for different affinity designer copy guides free and easily switch between them. Whether on Windows, Mac or iPad, the file format is exactly the same.
Affinity Designer is full of tools meticulously developed for achieving high productivity, while maintaining percent accurate geometry. Effortlessly add a contour to any object or increase the width of single open curves. The options you have for setting up grids and guides is almost unlimited. This is what we mean by power. From the beginning we developed our engine to work to floating point accuracy. What does this mean? Layout all your screens, pages, menus and other items in a single project across any number of artboards.
Export artboards, or any individual elements in your designs, with a single click. Symbols allow you to include unlimited instances of the same base object across your project. Edit one, and the rest update instantly. Pixel perfect designs are assured by viewing your work in pixel preview mode.
This allows you to view vectors in both standard and retina resolution, giving you a completely live view of how every element of your design will export. Whether working with artistic text for headlines, or frames of text for body copy, you can add advanced styling and ligatures with full control over leading, kerning, tracking and more. At any time affinity designer copy guides free your text to curves to take full control and produce your own exquisite, custom typography to add serious impact.
Advanced file support is at the core of the back-end technology behind Affinity Designer. The design windows vista home basic aero free Optimised for the latest tech on Mac, Windows and iPad, Affinity Designer is setting the new industry standard in the world of design. Serious business No bloat, no gimmicks, just all the tools you need, implemented how you always dreamed.
Fast and glorious Affinity Designer was created affinity designer copy guides free thrive on the electric pace of the latest computing hardware. As complex as you like The engine behind Affinity Designer is built to handle huge documents affinity designer copy guides free you can be confident in adding all those tiny details without any compromise to performance.
Built for your workflow Thousands of designers around the world told us how they need their graphic design app to behave.
Timesaving functions The UI has been created to give you the best user experience possible so you can spend more time creating. Any device, anywhere Извиняюсь, adobe premiere pro cs6 green screen free воротишь on Windows, Mac or iPad, the file format is exactly the same.
Rock solid vector tools Affinity Designer is full of tools meticulously developed for achieving high productivity, while maintaining percent accurate geometry. Powerful contour tool Effortlessly add a contour to any object or increase affinity designer copy guides free width of single open curves. Advanced grids and guides The options you have for setting up grids and guides is almost unlimited.
Unlimited artboards Layout all your screens, pages, menus and other items in a single project across any number of artboards. Linked symbols Symbols allow you to include unlimited instances of the same base object across your project. Live pixel preview Pixel perfect designs are assured by viewing your work in affinity designer copy guides free preview mode.
Sophisticated typography Whether working with artistic text for headlines, or frames of text for body copy, you can add advanced styling and ligatures with full control over leading, kerning, tracking and more. Affinity designer copy guides free output for print, screen or collaboration Advanced file support is at the core of the back-end technology behind Affinity Designer. Buy now. Own the most powerful design software today.
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Affinity designer copy guides free
If you buy this book in digital format, please use a color screen. The images in the book will not looks so great on non-color screens. A note about redundancy Learning new skills take a lot of repetition.
We know this, so we structured this book with lots of the same ideas and shortcuts. This is done so you learn as fast as possible. We'll consider we've done our job if when you are done going through this book, you're able to retain most of the skills you learnt in this book. Comments on this 1st Edition As a self-publishing company, we pride ourselves on designing the most high-quality books we can create.
But we also know there may be some grammatical errors we might have missed. Therefore, we'd like to offer you a deal. If you find any errors in this book, please tell us and we'll both fix the issue immediately and we'll send you a free tutorial.
We'll do anything we can not to receive less-than-perfect reviews of our books. Positive Reviews Positive reviews really make a difference! It shows our writers that they are doing a good job. If there is ANYTHING you don't like about our book, please contact us at [email protected] and we promise we'll help you as fast as we can or address the situation you are not in favor with.
The creators of Affinity Designer have made starting in this program quite simple. Now, it's our job to show you how. There are three ways we can open a new document in Designer and six additional methods of starting a new project.
We'll first list these for you and then walk you through on how to do each. The first three in this list are how to open a new document and the following six are how to start a new project after a blank document has already been opened.
The simplest way to open a new document is found on the opening screen when you first start Designer. You'll be greeted in the center of the screen with Serif Affinity Designer's official company's introductory page.
This page highlights the most recent updates and features for the current update the software has to offer. Press New Document from the opening screen To open a new document, click on the New Document button in the lower right corner of the below image see yellow rectangle. When you click on the New Document button, you'll be shown the New Document page.
We'll show you that after we tell you the 2nd and 3rd way to open a new document. The second way to open a New Document is this Go to the Menu bar - File - New. This is the way we write in order to keep this command as short and sweet as possible.
Here is a screenshot showing you what to do. When you click on the New button image below , you'll also be greeted with the New Document page. The third way to open a New Document is our favorite because it's so simple. Those are the three ways you can open a new document in Designer. Now that we've told you the three ways to open a New Document, let's look at its pop-out window.
We've added some colored rectangles to the parts of this page that are important for this book. As you start new lessons in this book, we'll ask you to open a New Document with specific properties. We'll be using the above screenshot to explain what we want you to pay attention to. Click on the Web preset yellow rectangle.
There are seven presets to choose from. Each has its own preset types. Take some time and click on each of these to learn about them. The most important two to know about are Web and Print. Click on the CD Digital Release preset type see white rectangle. This is what we'll use for most of the lessons in this book. This is because we like the dimensions of pixels x pixels. We feel bigger is better when creating a new document. It's easier to lower resolution than it is to increase it.
This preset type has a DPI of px see blue rectangle. We always work with this setting. Click on the Transparent Background checkmark see pink rectangle.
This is an important box to check if you want a background document that is white or transparent. Click on Create see green rectangle. Now that we've shown you the three ways to open a New Document and how to open a new document the way we want you too, let's discuss the other six ways we can start working in a new document.
These other six methods of starting a new project are possible if a new document is currently on the screen. Did you understand that? A new document needs to be on the canvas before you'd do any of these operations. Here are the six methods listed: 1. What we mean to say is this: Please go to the Menu bar and then click on File and then click on New.
This seems too tedious for us, so we've shortened this to: Menu bar - File - Open. So, let's start with the first option. This option is used when you want to transfer, say, a screenshot from one program to another. We have never used this feature, but it is here for you to use if you need it. Go to the Menu bar - File - Open This will open your most recently opened folder where you can choose to upload an image to the document.
You don't necessarily need to have a document open already, but we always do. Because we use this option to add a vector shape or image to an existing document. For example, we use this method in Lesson 13 where we add a photo to a text shape.
Open Recent This opens a list of your most recent documents. We use this the most often when we use Affinity Photo because it allows us to quickly find images we recently used and let's up re-upload them to the canvas.
In Designer, we rarely use this method. Stock Images This is a convenient way to add a stock image from inside the program directly to your opened document. We'll walk you through how this works. We added colorful rectangles to the image below as a reference for these points. Click on the Stock tab see the blue rectangle. Select Pixabay from three choices for stock photos see the yellow rectangle.
Pixabay is our favorite. Type tree in the search bar see the white rectangle. Check the Vector shape checkbox see the pink rectangle. This is what the document looks like now with the tree vector shape added to it. Looks impressive, doesn't it? It'll look better on your computer screen.
Sorry for the fuzziness. Immediately it will be there. We recommend you have an existing document open before you do this. Otherwise, you'll have an image on Designer's screen you won't know what to do with. But, fiddling around is sometimes the best form of practice.
Note: If you use images from websites, make sure these are not copyrighted images. If they are, you'll need written permission from their owners before you use them.
Here is a screenshot of us moving an image from a folder named 'Affinity Designer' and adding it to Designer's screen. It's basically the same method as using Stock Images. Right click on an image to open in Designer Designer makes adding images and files to the canvas simple.
All you have to do is right-click on any image in your computer and select Open With Affinity Designer. Check out this image below. After doing this, immediately the image will appear on Designer's screen.
Now you know how the three methods of creating a New Document and the six additional ways of starting a new project. This ends this lesson. Basics 2: How Designer's Screen is Organized Affinity Designer's screen has eight main parts to it that you need to become familiar with. We think teaching by showing is best, so we've created this graphic for you to look at and study. By looking at this graphic, try to find all of the eight important areas of the screen: These eight areas are: 1.
We'll walk you through a quick demonstration to show you how these parts of Designer's screen change and don't change. So, let's jump on in and create our first document together. Click on the Rectangle Tool see the yellow square. When you click on a tool and it's active, it'll have a darkened area around it which shows you it's active look at image below.
When you click on this tool, look at the Contextual Toolbar and see what options you have see the yellow rectangle in the below image. Look also at the Menu bar and the Toolbar these are the two horizontal line of options above the yellow rectangle.
Now, we're going to click on a new tool and after we do this, look at how the Contextual Toolbar will change but the Menu bar and the Toolbar won't. This is super important for you to understand at the beginning of your experience using Affinity Designer. Every tool has its own Contextual Toolbar. Click now on the Rounded Rectangle Tool see the yellow square in the below image so it's active. Here is its Contextual Toolbar.
Sorry for its smaller size, but it has more options than the normal Rectangle Tool. Let's now create a shape in our document. Try to keep it about one-third the size of the document. Go to Layers Panel in the Studios area of the screen and see how the Rounded Rectangle now has its own layer. Great job! You've now taken your first step in the wide world of Affinity Designer. In the next lesson, we'll go into further detail about how to work with shapes in a document.
It's enough for now that you know that every shape has its own Contextual Toolbar and when you create a shape in a document, it becomes its own layer in the Layers Panel. Let's now talk about the different Personas you see at the top-left area of the screen. You can think of the Personas as different workspaces.
The three Personas are Draw, Pixel, Export. Currently, we are working in the Draw Persona. As you click on the different Personas, you'll notice that the Tools on the leftside of the screen change.
For this lesson, we'll stay within the Draw Persona. We just wanted you to know there are different Personas with different workspaces and tools. Practice: Go ahead and click on the other two Personas and see what happens. The next area of the screen you need to know about are the Studios, located vertically on the right-hand side of the screen. It's important to note that their individual menus are located to the right of their respective studios see the green squares.
As we work through this book, you'll gain a lot of experience using these panels and their respective menus. FYI: We call these menus 'burgers' because of how they look. Check out the bottom portion of the above screenshot. These are the all- important icons you'll use to make improvements to the layers in the Layers Studio see pink rectangle in the above image.
Then, you'll have to know where these icons are located and know that when you click on the Adjustments icon, for example, its pop-out window will appear with a lot of choices. Practice: Click on all the icons in this icon bar and see what happens. To finish this lesson, let's delete our Rounded Rectangle layer. We can do this one of two ways: 1. Right-click on the layer and select Delete. Notice how the layer become ethereal when it's moved.
That's about all we have to tell you about how the screen is laid out. As we progress through this book we'll go into deeper detail about the specifics of each of these eight areas of the screen. For now, it's enough that you know how the screen is organized. Chapter Quiz: 1. What happens to the Contextual Toolbar when you click on a new Tool?
Where is the Layers Studio located? The Colors Studio has its own menu icon. Where is this icon located? What layer is affected when you click on the Adjustments icon?
Which Persona is the most-used Persona in Designer? Answers: 1. The Contextual Toolbar changes its options as you use different Tools. The Layers Studio is located in the middle-right side of the screen under the Colors Studio. The Colors Studio menu icon is located to the right of the Colors Tab and is represented by four parallel lines. When you click on the Adjustment icon, the layer affected is the active layer or the Layer highlighted in blue.
The most-used Persona in Designer is the Draw Persona. If you are new to Designer and not coming from PS, then we would still recommend you use follow along and add these two Tool columns to your screen.
You can always very easily remove them later if you don't want them. To do this Go to the Menu bar - View - Customize Tools The Customize Tools option is at the very bottom of the View's pop-out window. We cheated and shortened the list to make this image. You can also go to the bottom of this window and change the Number of Columns to 2 see the yellow rectangle and this will make it so the Fill and Stroke circles are at the bottom of the Tools.
When done, press Close see the green rectangle. You now know how to do this extra change to your screen. To help you learn how to use these tools, we'll first make a list of what all shapes have in common and then we'll walk through each item listed below to show you what we mean. If you hold-down Shift when creating the shapes, they will keep uniform shapes. Each time you create a shape, it's placed on its own layer. This is very important to remember!
You can alter the appearance of each shape using the options in the Contextual Toolbar. You can use the nodes attached to each shape to create new forms. You can use the Move Tool to move, resize, and turn the shapes.
For the first part of this lesson, we're going to create a new rectangle shape and then change its color to black and work on its stroke. Remember: All shapes in Designer have a Fill its insides and a Stroke the outline border of the shape.
If you look in the Colors Panel, you'll see two circles in the top left area. These are the Fill and Stroke circles. We'll call the Stroke circle a doughnut and the Fill circle a circle.
Check out this image for reference: Let's get started: Click on the Rectangle Shape Tool so it's active. If you hold-down the Shift key as you create the shape, you'll create a perfect square like we did.
Go to the Contextual Toolbar and click on the Fill field see the yellow rectangle in the below image. When you first do this, it'll be white not the black you see in the below image. Move the inside color node straight up from white to black see the red arrow inside the Color Wheel for this action.
Watch as the square's color changes from white to black see the white arrow for this action. Note: When changing the color of objects in Affinity Designer, you can use both the options on the Contextual Toolbar as well as the Color Panel in the Studios area of the screen. Look at the Layers Panel on the right-side of the screen and you'll see that our newly colored square is now its own layer and it's black.
Note: The black square on the left-side of the layer is called a layer's preview thumbnail. Don't forget this, it's important to know. Now, let's continue by adding a blue Stroke to the outline of our square. To do this, we need to click on the button for the Stroke, which is just to the right of the Fill rectangle. Showing you how to do this is easier than writing a whole paragraph trying to explain this.
Note: When activating a layer, the item in the document will also be selected. You can tell an object is selected when it's surrounded by its blue nodes see this image below.
You rotate it by clicking on the top-most white node and turning it left or right. This will make the stroke blue. Click on the Stroke button see the red rectangle in the above image on the Contextual Toolbar. This will open up a pop-out window with all of the Stroke commands. Note: We repositioned the square on the canvas so you can see what happens when we are done creating a stroke for our first shape. Normally, it wouldn't be positioned here, but in the middle of the document Practice: Before we finish creating the stroke around our square, try clicking on some of the stroke-specific buttons located in the center of the pop-out window see the green rectangle and see what they do to the stroke.
We find it interesting what you can learn by clicking on something you have no idea what it is or does only to later use that same action for a future project. We call this fiddling around. There's no wrong look to our shape, so click away and have fun. When you're done exploring the possibilities Press the Esc button on your keyboard.
This will cause the Stroke's pop-out window to disappear. Let's review what we've done so far: 1. We clicked on the Rectangle Tool located at the bottom of the Tools column. We clicked on the Fill field on the Contextual Toolbar and changed the interior color from white to black we could have simply used the Color Wheel also since the shape was already 4. We learned each shape creates its own layer in the Layers Panel. The first of three will be on the lower layer while the newest will be on the top.
We learned its very important to make sure the correct layer is activated before working on our project so that the correct layer is affected. We learned we can create a colored outline to a shape using the Stroke buttons located on the Contextual Toolbar. We learned we can make the outline any width we want as well as other options we played around with in the Stroke's pop-out window.
We've learnt quite a bit so far. But we're not done. For the next part of this lesson, we're going to create, in addition to our black rectangle, a green Ellipse circle , a blue Rounded Rectangle, and a red Star.
Note: When you create new shapes, their colors will start as the same color as the last shape you created. If you feel confident enough, go ahead and draw these three new shapes in our document, and then go to the Contextual Toolbar and click on the Fill field and select your new shape color.
You can also skip the Fill field and simply rotate the Color Wheel in the Colors Studio to choose your color. Let's begin: Click on the Ellipse Tool looks like a circle and while holding-down the Shift key drag out a perfect circle. Click on the Color Wheel in the Colors Studio and select a nice green color. This will change the color of the Ellipse. Note: Look at what's inside the yellow rectangle in the screenshot above. The green circle represents the shape's Fill color and the hollow circle behind it represents the Stroke color.
Repetition is the best teacher. Now, follow the same steps and create a blue Rounded Rectangle. Click on the Rounded Rectangle Tool so it's activated.
Change the color to a nice blue by clicking on the outside ring of the Color Wheel where blue is. Notice how each layer is organized in the Layers Panel: The first shape we created, the black square, is located at the bottom of the layers stack. The last shape we are going to create is a red Star.
Click on the small grey triangle in the lower right-hand corner of the Triangle Tool see small yellow square in the image below.
When you click on this, a pop-out window will appear with the rest of the Shape Tools. We placed our in the top-right corner. This numbered value represents Red. If this is confusing, don't worry, we'll cover it in more detail in the lesson about Color Theory. This is a screenshot of all we can see so far of our shapes and the Studios: We're about to talk about how you can alter the specific points of each shape.
Please pay attention to these facts. After we list these, we'll show you what we mean. Since the red Star is selected, its layer is highlighted in blue as well as its shape is surrounded by blue nodes and one white node perpendicular to its top middle blue node this is the node we use to rotate the shape. Since the red Star is selected, notice the three red nodes at its tip and inside corners. These allow us to change the shape of the star. Every shape except the Ellipse and Square has these extra red nodes.
Notice how the red Star layer is at the top of the Layers Panel since it was the last object we created. Notice the Fill color in the Colors Studio is red, like the color of our selected object. If you understand all that, then you're ready to move on to the next part. Designer allows us to alter individual shapes in three ways: 1. Moving the blue nodes and the white rotational node 2. Adjusting the red nodes 3. Using the options in the Contextual Toolbar Ready to see what happens when we make the second and third alterations?
Click on Star layer in the Layers Panel so it's highlighted in blue if it isn't already. Note: Remember to always have the correct layer selected and active before starting your edits. Yes, we know this first step is redundant, but it's always a good habit to make doubly sure the right layer is active. Adjusting the red nodes to alter a shape's appearance.
Verified Purchase. I started using Affinity Designer in lockdown and have been working through the Offical Affinity Designer Workbook, which is okay but I feel there is a slight assumption with that book that you have some previous knowledge of graphics programs. So from the description of this book - Up and Running With Affinity Designer - I thought I'd give it a go, as it seemed to be aimed at beginners.
I am still working through it and will try to update my review when I finish if my views change significantly but thought it might be useful to add what I think so far. I am using Affinity Designer on Windows and this book has been written using the MAC version so there are some differences with the interface. For example the Windows Version doesn't have an Affinity Designer menu, so the drop down sections for that are found in other tabs e.
But so far I've had no issues with finding out where things are on the Windows version, it's just been a matter of looking under different tabs. If you want a guide that is specific to the version of Designer you are using, so you can follow everything exactly this might be something you want to be aware of.
I like how everything is broken down into simple steps or explanations. The majority of the book - up to page is going into details about how everything works, what the various options are, what the terms mean. Pages - are doing an actual design in great detail - through the whole process from first sketch to completed design. I think both books are very useful but if you can only afford one book and are a complete beginner I would recommend this one.
One person found this helpful. I'm thinking of buying this book, but as so many design books are so poorly designed, I would like to 'look inside' before buying. But on doing that, what do I find - none of the actual content pages.
What are they trying to hide? Please give us a glimpse of what the actual pages look like. What would I be buying? A lot of white space, or text and graphics that are legible and informative? I'm a micro-influencer who was given a free copy of the book to review.
I've been using AF Design for over 2 years, and this book definitely taught me some advanced and intermediate tools and tips. I'll start with the good points: There are screenshots included throughout, and each section is relatively well described. The author clearly tried to cover as many features of this complex program as he could in a structured way. And most importantly, I came away from the book knowing a lot more than when I started.
Now the not-so-good: Some of the sentences are a little awkwardly written. Thanks a lot for your answer firstdefence. You can post now and register later. If you have an account, sign in now to post with your account. Note: Your post will require moderator approval before it will be visible. Paste as plain text instead.
Only 75 emoji are allowed. Display as a link instead. Clear editor. Upload or insert images from URL. Please note there is currently a delay in replying to some post. Serif doesn't only make vector design software. It also offers Affinity Photo, a decent and keenly priced alternative to Adobe Photoshop. If you want a full suite of design apps, this is probably one of the most affordable ways to get it.
The Affinity Designer Manual A Step-by-Step Beginner's Guide -
But there are differences too, including some Illustrator features that Designer doesn't have an equivalent for. With this handy guide to Affinity Designer's keyboard shortcuts, you can find your way around your new design software in no time.
You will have to complete a short form to access it for the first time only. Serif doesn't only make vector design software. It also offers Affinity Photo, a decent and keenly priced alternative to Adobe Photoshop. If you want a full suite of design apps, this is probably one of the most affordable ways to get it.
This Affinity Designer book is for graphic designers, artists, illustrators, and hobbyists. Anyone curious about Affinity Designer's unique toolset and vector and pixel workflows or looking for cost-effective alternatives to the Adobe suite will find this book useful. Experience in working with other similar tools will be helpful, but not necessary. Kevin House , also known as Kevin Creative, has an award-winning design and illustration studio located on the west coast of Canada.
Before becoming a freelance designer and illustrator, he spent a few years in advertising agencies and design studios as a graphic designer. Those demanding, creatively fruitful years gave him the experience and confidence to set up a freelance business in Today, his clients are small to mid-sized creative studios and his focus is on illustration and logo design.
Since , Kevin has been using Affinity Designer almost exclusively for his 2D illustration work and loves the ease of use and array of creative options it brings to the table.
Kevin House is an award winning digital designer and illustrator based in Victoria, British Columbia, Canada. He has over 30 years of experience in the Design and Illustration fields. His work is characterized as multi-stylistic covering a wide range of subject matter and diverse client work in both 2d and 3d. Since he has been using Affinity Designer almost exclusively for his 2d illustration work. In his piece entitled Wine Cellar was included in the very popular and successful Affinity Designer Workbook as an extensive step by step tutorial and since then his illustration work has been commissioned by Serif to showcase aspects of their award winning application.
Customer Reviews, including Product Star Ratings, help customers to learn more about the product and decide whether it is the right product for them. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon.
It also analyses reviews to verify trustworthiness. Enhance your purchase. Add Affinity Designer to your creative skillset while creating innovative designs and illustrations, building a solid foundation for your future Key Features Understand Affinity Designer's interface and setup, discover its capabilities, and develop an efficient workflow Harness the power of an easy and flexible vector and pixel workflow in one application Learn practical skills and gain the confidence to power your own creative projects Book Description Affinity Designer is a widely adopted creative application, and in a reasonably short space of time, it has become a leading design and illustration application.
What you will learn Explore the interface and unique UX characteristics of Affinity Designer Discover features that allow you to manipulate and transform objects Apply color, shading, and effects to create unique compositions Employ layers to organize and simplify complex projects Use grids, guides, and snapping features as design aids Adapt to Affinity Designer's custom workspaces and keyboard shortcuts Explore the workflow and design best practices for more predictable and successful outcomes Identify potential stumbling blocks in your design process and learn how to avoid them Who this book is for This Affinity Designer book is for graphic designers, artists, illustrators, and hobbyists.
Previous page. Print length. Packt Publishing. Publication date. See all details. Next page. The Booker Prize Discover this year's longlisted books Learn more. What other items do customers buy after viewing this item? Page 1 of 1 Start over Page 1 of 1. Frank Walters. Affinity Designer Workbook. Serif Europe Limited. About the Author Kevin House , also known as Kevin Creative, has an award-winning design and illustration studio located on the west coast of Canada.
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Please try again later. Verified Purchase. I started using Affinity Designer in lockdown and have been working through the Offical Affinity Designer Workbook, which is okay but I feel there is a slight assumption with that book that you have some previous knowledge of graphics programs.
So from the description of this book - Up and Running With Affinity Designer - I thought I'd give it a go, as it seemed to be aimed at beginners.